Tamerlano
Too hot to Handel
Stay connected
Join the Grange Festival community and stay connected to a world of enchanting performances and exclusive events.
Too hot to Handel
Join the Grange Festival community and stay connected to a world of enchanting performances and exclusive events.
Robert Howarth read music at the University of York and is establishing a reputation an gifted director and conductor of early and classical repertoire.
Howarth’s opera engagements include Il ritorno d’Ulisse in patria for Opernhaus Zürich; Giulio Cesare and The Magid Flute for Opera North; Agrippina at The Grange Festival, The Fairy Queen in St Gallen, Haydn’s L’Isola Disabitata for the Norwegian Opera, L’Incoronazione di Poppea with the Academy of Ancient Music at The Barbican, London and in Venice and Dido and Aeneas with The English Concert at the Buxton Festival and Birmingham Opera Company. He has directed Il Ritorno d’Ulisse in Patria for Welsh National Opera, Birmingham Opera Company and English Touring Opera; Alcina for the Hamburg State Opera, Theater St Gallen and English Touring Opera, Monteverdi Ballo del Ingrate with Il Combattimento di Tancredi e Clorinda for the Birmingham Opera Company, Acis and Galatea with The Early Opera Company and Tolomeo for English Touring Opera as well as Charpentier La déscente d’Orphée aux enfers for Glyndebourne’s Jerwood Programme, Charpentier Actéon and Purcell King Arthur for the Dartington International Summer School.
Howarth was Music Director for Claire van Kampen’s play Farinelli and the King staring Mark Rylance and Iestyn Davies at the Sam Wanamaker Playhouse, Duke of York’s Theatre, London and Belasco Theater, New York.
He regulary directs programmes with the Orchestra of the Age of Enlightenment and Academy of Ancient Music and has conducted Messiah with The Hallé Orchestra, Danish Radio Symphony Orchestra, Bilbao Symphony Orchestra, the Irish Baroque Orchestra and the Royal Seville Symphony Orchestra; the St Matthew Passion with the RTE National Symphony Orchestra; Mozart, Haydn and Rameau with The English Concert and has also appeared with the Early Opera Company, the English Chamber Orchestra,The St James Baroque Players, Salzburg Mozarteum Orchestra and at the Ambronay Festival. He regularly co-directs the Italian baroque ensembleLa Serenissima.
His recent and future engagements include Il Ritorno d’Ulisse for Longborough Festival Opera and projects with the BBC Singers and His Majesty’s Sackbutts & Cornetts; Real Filharmonia de Galicia, Bournemouth Symphony Orchestra and The Grange Festival.
Daniel studied at Bristol and Cambridge.
Opera productions include Belshazzar (The Grange Festival); Peter Grimes ( Opera Queensland); Fidelio, Peter Grimes (LPO, Royal Festival Hall), Die Zauberflote (Yekateringburg Opera); (Tannhäuser (Estonia Opera); Nabucco (Vlaamse Opera); Lohengrin (San Francisco, Houston Grand Opera, Geneva); For Garsington Opera he has directed The Cunning Little Vixen, Die Entführung aus dem Serail, La gazza ladra, Don Pasquale (also Geneva and Caen), La Cenerentola, A Midsummer Night’s Dream and Don Giovanni (also Birgitta Festival,Tallinn); Tristan and Isolde (Norway); Aida, Eugene Onegin (Holland Park Opera); La Traviata (Houston Grand Opera); Salome, Wozzeck (Santa Fe); Peter Grimes (Geneva); Xerxes (Stockholm), L’Arbore di Diana (Valencia); Samson (Buxton); Fortunio, Rigoletto, Falstaff and Don Giovanni (Grange Park); Betrothal in a Monastery (Glyndebourne, Valencia); Manon Lescaut (Opera North, Oslo, Oviedo); L’elisir d’amore (Opera North, WNO, New Zealand Festival, Pittsburgh Opera); The Bartered Bride (Opera North, Strasbourg, New Zealand); The Cunning Little Vixen (Bregenz, San Francisco, Geneva); Il barbiere di Siviglia and Der Vogelhandler (Berlin); La Boheme (Scottish Opera, Opera Ireland).
His work has been seen at all the regional UK companies and festivals as well as in Germany, France, Switzerland, Austria, Sweden, Norway, Spain, the USA and New Zealand.
Opera credits include: Tamerlano, Belshazzar (The Grange Festival); Tosca (San Francisco Opera); Die Fledermaus (Opera Theatre of St Louis); Siegfried, Das Rheingold, Die Walküre, Rigoletto (Lyric Opera Chicago); In Parenthesis, War and Peace, Rigoletto, Flying Dutchman (Welsh National Opera); Madame Butterfly (Den Jyske Opera); Charodeika (Teatro di San Carlo, Naples); The Italian Girl in Algiers, Peter Grimes, Billy Budd (Santa Fe Opera); Lohengrin, The Cunning Little Vixen (San Francisco Opera); Tristan und Isolde (La Fenice Venice); Aida (Opera Holland Park); The Cunning Little Vixen, Maometto II (Garsington Opera).
Theatre:
All’s Well That Ends Well, Pericles, Julius Caesar, Anthony and Cleopatra, Titus Andronicus, Coriolanus, Don Quixote, Oppenheimer (RSC); Neville’s Island, Speed the Plow, Clybourne Park (West End); Kenny Morgan (Arcola); Other Desert Cities (Old Vic); Noises Off (Nottingham Playhouse/Northern Stage/Nuffield Southampton); The Crucible, Swallows and Amazons (Bristol Old Vic); Lady In The Van, Kafka’s Dick (Theatre Royal Bath); King Lear (Chichester Festival Theatre/BAM ); The Boy in the Striped Pyjamas (Chichester Festival Theatre/UK Tour); A Doll’s House (NT Scotland); The Crucible (Bristol Old Vic); Twelfth Night, Romeo And Juliet (Regent’s Park); Arturo Ui (New York); The Weavers (Awarded Critics Circle Designer Of The Year at The Gate) The Member Of The Wedding (Young Vic); Edmond de Bergerac (Birmingham Repertory Theatre)
Other:
Casino Royale (Secret Cinema & SMG, Shanghai), Linz Klangwolke 2019 (Linz Austria)
Recent credits: Peggy for You, The Memory of Water, The Death of a Black Man, Botticelli in the Fire, (Hampstead Theatre); Fishermen’s Friends The Musical (ROYO); Two Ladies (Bridge Theatre); The Butterfly Lion, The Watsons, The Norman Conquests, Fracked (Chichester Festival Theatre); Lone Flyer, 15 Heroines (Jermyn Street Theatre); The Habit of Art, Mr Wickham (Original Theatre Tour); The Gift (Eclipse Theatre); Some Like It Hip Hop (Tour); Queen Margaret, Frankenstein, Guys and Dolls, The House of Bernarda Alba (Royal Exchange, Manchester); Rutherford and Son, Love and Information, One Flew Over the Cuckoo’s Nest (Sheffield Crucible); Don Quixote (RSC); Brainstorming, Moon on a Rainbow Shawl, The Permanent Way (National Theatre); Blithe Spirit, The Crucible (Pitlochry Festival Theatre); Creditors/Miss Julie, A Perfect Nonsense, Sense & Sensibility (Theatre by the Lake); September in the Rain, Blood Wedding, Her Naked Skin, (Salisbury Playhouse); Shook (Papatango); Treasure Island, The Tenant of Wildfell Hall (Octagon, Bolton); What the Butler Saw, Fences, Dear Lupin, Betrayal, Via Dolorosa, Beautiful Thing (West End); My Name is Rachel Corrie, Rose, Guantanamo, Our Lady of Sligo, Haunted, Arabian Nights, The Steward of Christendom (New York).
Opera Credits: Porgy and Bess (Royal Danish Opera), Rinaldo (Estonian National Opera), Carmen, Kátya Kabanová, The Secret Marriage (Scottish Opera); Otello, The Marriage of Figaro (Nice Opera House); Tobias and the Angel (Almeida Opera Festival).
Johanna is The Chair of the Association for Lighting Production & Design, and a Fellow of Guildhall School of Music and Drama
Born in Italy, Raffaele Pe started his vocal and organ studies at the Lodi Cathedral where he was a chorister, working under Pietro Panzetti. He continued his training in London with Colin Baldy and became a member of the Monteverdi Choir’s Young Artists’ programme collaborating closely with Sir John Eliot Gardiner. He then perfected his skills with Fernando Cordeiro Opa in Bologna.
A leading artist in the baroque scene of the new generation, Raffaele Pe’s unique voice embraces a vast musical repertoire that extends from recitar cantando to contemporary works.
Recently, he has been awarded the “Premio Lirico Internazionale Tiberini d’Oro 2021” on the occasion of a gala concert streamed live at the Teatro Rossini di Pesaro.
Raffaele made his US debut at the Spoleto Festival USA, interpreting the leading male role of Delio in the world premiere in modern times of Cavalli’s Veremonda alongside Vivica Genaux. He debuted at La Fenice with Vivaldi’s Orlando furioso and at the Florence Opera with Vinci’s Didone abbandonata.
He is the first countertenor ever to be invited by the Verona Opera Festival where he performed Carl Orff’s Carmina Burana in the Arena di Verona.
One of today’s finest Handel interpreters, Raffaele has played some iconic roles from most of his works including the title role in Rinaldo in a Pier Luigi Pizzi/Federico Maria Sardelli production for the Maggio Musicale Fiorentino, the title role in Giulio Cesare for the Theater St. Gallen, Medoro (Orlando) in a Giovanni Antonini/Claus Guth production at the Theater an der Wien, Arsace (Berenice) at the Göttingen International Handel Festival, Nerone (Agrippina) at the Grange Festival, the title role in Arbace at the Halle Handel Festival, Disinganno (Il Trionfo del Tempo e del Disinganno) in Innsbruck, Versailles, Rouen, as well as Goffredo (Rinaldo) for Opera Lombardia. He performed Handel’s Messiah with Erwin Ortner at the Vienna Musikverein.
Among his most important past engagements are Nerone in Monteverdi’s Incoronazione di Poppea with Jean-Christophe Spinosi at the Buenos Aires Teatro Colón, the title role in the world premiere of the contemporary opera Hémon by Zad Moultaka for the Strasbourg Opéra du Rhin, Linceo in L’Ipermestra by Cavalli at the Glyndebourne Festival directed by Graham Vick; Oberon in A Midsummer Night’s Dream by Britten for Opera Lombardia; Ermione in Scarlatti’s Trionfo dell’onore at the Tokyo Fujiwara Opera and Festival della Valle d’Itria in Martina Franca, where he also embodied the role of Gualtiero in A. Scarlatti’s Griselda under George Petrou.
Under the direction of Jordi Savall, Raffaele Pe sang Bach’s Christmas Oratorio, his St. Matthew and St. Mark Passions as well as his Mass in B Minor at Versailles Royal Chapel, Paris Philharmonie, in Graz and Barcelona.
A prestigious recitalist, Raffaele has given a concert dedicated to Vivaldi alongside I Barocchisti and its founder Diego Fasolis at the Opéra de Lausanne.
He frequently collaborates with some of today’s leading conductors, including Jordi Savall, William Christie, Diego Fasolis, Alessandro De Marchi, Giovanni Antonini, Ottavio Dantone, Leonardo García Alarcón, David Bates, Paul McCreesh, René Jacobs, Nicholas McGegan, Václav Luks, Antonio Florio, Jean-Christophe Spinosi and George Petrou.
For the label Glossa, Raffaele released the solo album “The Medici Castrato”, which he presented at the Bologna and MITO Festivals and in major European venues including the Berlin Philharmonie. His second solo album, “Giulio Cesare - A Baroque Hero” he recorded, also for Glossa, with his own Ensemble La Lira di Orfeo was Sunday Times’ “Album of the Week” and awarded the most prestigious Abbiati Prize.
Recent and future projects include the first modern representation of Orpheus (title role) by Nicola Porpora for the Theater an der Wien, Handel’s Tamerlano (title role) for the Grange Festival and Vivaldi’s Giustino (Anastasio) under George Petrou for the Drottningholm Opera Festival. Raffaele reunites with Jordi Savall for Bach’s Christmas Oratorio at the Graz Styriarte Festival and gives a recital at London Wigmore Hall.
Paul Nilon is established as one of Europe’s outstanding lyric tenors in a wide repertoire ranging from Monteverdi to Britten. He has worked with many leading orchestras and ensembles in the UK and Europe. In opera he has worked for most of the major British opera companies. Companies abroad include the Bayerische Staatsoper, Netherlands Opera, Maggio Musicale Fiorentino, San Francisco Opera and Dallas Opera.
Recent and future operatic engagements include the title role in a new production of Idomeneo for ENO, Chartkov in Weinberg’s The Portrait, Albert Gregor in The Makropulos Case and the title role of La clemenza di Tito (Opera North), Sultan in Vivaldi’s La verità in cimento, Paolo Maometto IIand Aschenbach’s Death in Venice (Garsington Opera), the title role of Idomeneo (Gothenburg Opera), Grimoaldo Rodelinda (Bolshoi Theatre Moscow), Paolo Maometto II and Ermione (Volkstheater Rostov), the world premiere of Life is a Dream by Jonathan Dove and Scribe Khovanschina (Birmingham Opera Company).
Concert engagements include Dvorak’s Stabat Mater with the BBC Philharmonic, Beethoven Symphony no. 9 with Scottish Chamber Orchestra, Elgar’s The Kingdom in Worcester Cathedral, Dvorak’s Stabat Mater, Rachmaninov’s The Bells and The Dream of Gerontius at Three Choirs Festival, the world premiere of Blackford’s Not in our Time with Bournemouth Symphony Chorus in Bremen, Mozart Requiem with the ORTVE in Madrid, and Stanford’s Stabat Mater with Huddersfield Choral Society.
Recognised as one of the leading lyric sopranos of her generation Sophie Bevan studied at the Royal College of Music where she was awarded the Queen Mother Rose bowl for excellence in performance. She was the recipient of the 2010 Critics’ Circle award for Exceptional Young Talent, The Times Breakthrough Award at the 2012 South Bank Sky Arts Awards, Young Singer award at the 2013 inaugural International Opera Awards and was made an MBE for services to music in the Queen’s Birthday Honours in 2019.
She works regularly with leading orchestras worldwide and with conductors including Sir Antonio Pappano, Daniel Harding, Andris Nelsons, Edward Gardner, Laurence Cummings, Sir Mark Elder, Ivor Bolton and Mirga Gražinytė-Tyla. Recent and future highlights include Ah! Perfido, The Seasons, Knussen Whitman settings and Ryan Wigglesworth’s Augenlieder all with the London Philharmonic Orchestra, Strauss’ Four Last Songs with the Philharmonia, Les Illuminations with the BBC Philharmonic Orchestra, the Aurora Orchestra and the Finnish Radio Symphony Orchestra, Faure Requiem and Haydn Nelson Mass with the Netherlands Radio Philharmonic, Schubert Mass no 6 at the Concertgebouw, St Matthew Passion at the Royal Festival Hall, Messiah with the Orchestra of the Age of Enlightenment, Gluck Orfeo ed Euridice at the Edinburgh Festival, an evening of Viennese repertoire with the BBC Concert Orchestra at the 2020 BBC Proms Festival, Knussen’s Songs and a Sea-Interlude with the Swedish Radio Orchestra as well as concerts with the London Philharmonic, Bergen Philharmonic, BBC Scottish and BBC Philharmonic Orchestras, Scottish Chamber Orchestra, Hallé and the Royal Concertgebouw Orchestra. An acclaimed recitalist she has appeared with pianists including Julius Drake, Malcom Martineau, Ryan Wigglesworth, Christopher Glynn and Graham Johnson at venues including the Concertgebouw, Amsterdam, Aldeburgh Festival, Oxford Lieder Festival and appears regularly at the Wigmore Hall in London.
Sought after for her work in opera Sophie’s recent and future engagements include Ilia Idomeneo, Sophie Der Rosenkavalier, Susanna Le nozze di Figaro Dalinda Ariodante and Pamina Die Zauberflöte at the Royal Opera House, title role The Cunning Little Vixen for Welsh National Opera, Hermione in Ryan Wigglesworth’s The Winter’s Tale, Micaela Carmen, Télaïre Castor and Pollux and Penelope in a concert performance of Gloriana for ENO, Melisande Pelleas et Melisande for Dresden Semperoper, Asteria Tamerlano for The Grange Festival, Freia Das Rheingold at Teatro Real, Madrid and Governess The Turn of the Screw in the acclaimed production for Garsington Opera. She made her debut at Glyndebourne Festival Opera as Michal Saul and at the Salzburg Festival and Metropolitan Opera as Beatriz in Thomas Adès’ The Exterminating Angel.
Sophie lives in Oxfordshire with her husband, two children and two cocker spaniels.
Winner of the Loveday Song Prize at the 2017 Kathleen Ferrier Awards, Second Prize at the 2019 Handel Singing Competition and a Samling Artist, Patrick Terry was born and raised in Janesville, Wisconsin.
He earned his Bachelor’s of Music from the University of Minnesota – Twin Cities, where he studied with Adriana Zabala, and graduated from London’s Royal Academy of Music, where he studied with Caitlin Hulcup and Michael Chance on the Opera Course with generous support from the Josephine Baker Trust and the John J Adams Scholarship, in Summer 2018.
Selected for the 2018 Leeds Lieder Young Artists Festival, further competition success has included Second Prize at the 2019 Handel Singing Competition, Second Prize at the 2015 Joan Chissell Schumann Lieder Competition, winning the 2014 Maureen Lehane Vocal Award and winning the 2017 Richard Lewis / Jean Shanks Award. For Royal Academy Opera, he sang The Refugee Flight and Ruggiero Alcina.
Operatic engagements have included The Boy / Angel 1 Written On Skin with the Melos Sinfonia, Oberon A Midsummer Night’s Dream for Chicago Summer Opera, Rosencrantz in Brett Dean’s Hamlet for Glyndebourne On Tour and the title role in Teseo with La Nuova Musica at the 2018 London Handel Festival. Concert highlights have included a Wigmore Hall appearance with Imogen Cooper, whilst his broadcasts include In Tune for BBC Radio 3.
Whilst a member of the Olivier Award nominated Jette Parker Young Artists Programme at the Royal Opera House, Covent Garden, Patrick Terry travelled to Japan to appear in Le Promesse (Gala Concert by Young Opera Singers Tomorrow of the World) at the New National Theatre, Tokyo, and sang Arsace Berenice and Artemis in Hans Werner Henze’s Phaedra at the Linbury Theatre. He also returned to the Wigmore Hall for Heroes and Villains, appeared in Beyond Jerusalem: The Life and Times of Sir Charles Hubert Parry at the London Song Festival and sang J. S. Bach Magnificat and Handel The Choice of Hercules with the London Handel Orchestra, as well as making debuts as Ruggiero Alcina with La Nuova Music, Rosencrantz Hamlet with Oper Köln and as Eustazio Rinaldo for Glyndebourne Festival Opera.
Projects lost to the COVID-19 pandemic included debuts with The Grange Festival as Oberon A Midsummer Night’s Dream, with the Early Opera Company as Arsamene Serse, with Opera North as Ruggiero Alcina, with The Mozartists as Farnace Mitridate, Ré di Ponto, with Irish National Opera as Andronico Bajazet and with the City of Birmingham Symphony Orchestra and Orchestre national de Lyon for the first performances of Brett Dean’s In this brief moment – An Evolution Cantata.
This is his debut at The Grange Festival.
Other engagements during 2021 / 2022 include rescheduled performances as Ruggiero Alcina for his debut with Opera North and the postponed world première of Brett Dean’s In this brief moment: An Evolution Cantata with the Orchestre national de Lyon.
Mezzo-Soprano Angharad Lyddon is a graduate of the Royal Academy of Music, London, having studied with Janice Chapman, Audrey Hyland and Glenville Hargreaves on the college’s Advanced Diploma in Opera, B. Mus and M. A. degree courses. She continues to study with Janice Chapman.
While at the college, her roles for Royal Academy Opera included Lucretia in The Rape of Lucretia, Baba the Turk in The Rake's Progress, Zita in Gianni Schicchi, Filipyevna in Eugene Onegin, Madame de la Haltière in Cendrillon and Polinesso in Ariodante. In opera scenes, she performed the Title Role in Carmen, 1st Maid in Elektra, Nancy in Albert Herring, Orfeo in Orfeo ed Euridice, Older Woman in Flight and Marcellina in Le nozze di Figaro.
Angharad made her professional début for English National Opera in 2015 as Kate in Pirates of Penzance and performed the role again in their 2017 revival. She sang the role of Daughter of Akhnaten in their 2019 revival of Phelim McDermott’s Olivier Award-winning production, Akhnaten. She has also understudied Hermia in A Midsummer Night’s Dream, Perdita in The Winter’s Tale and Schoolboy, Dresser and Waiter in Lulu for the company.
Other operatic roles include Olga in Eugene Onegin at the 2019 Buxton International Festival and Flosshilde in Das Rheingold for Grimeborn Festival in 2019, Hansel in Iford Arts’ 2018 Education Project, entitled ‘Gingerbread’, based on Humperdink’s Hansel and Gretel, Suzuki in Madam Butterfly for Salon Opera, Julia Bertram in Mansfield Park for The Grange Festival, Cherubino in The Marriage of Figaro for Clonter Opera and Dritte Dame in Die Zauberflöte at the Åbo Svenska Theater in Finland. She was a Jerwood Young Artist at Glyndebourne in 2013 and in 2016, sang Woodpecker in Cunning Little Vixen and covered Hermia. Other covered roles include Polinesso in Ariodante and Alto in Trauernacht, a staging of Bach Cantatas, for Festival d'Aix en Provence.
Angharad is a Samling Artist and among her concert highlights are performances at the Wigmore Hall, Stravinsky's The Faun and the Shepherdess and Requiem Canticles with Vladimir Jurowski and the London Philharmonic Orchestra at the Royal Festival Hall, Bach Cantatas with Sir John Eliot Gardiner and Handel’s Messiah at the Royal Albert Hall. Recent concert performances include recitals at St David’s Hall, Cardiff and the Cowbridge Music Festival, the roles of Marta and Pantalis in a concert performance of Boito's Mefistofele for the Chelsea Opera Group at the Southbank Centre, a tour of Mendelssohn’s Elijah in Cardiff, St Davids and Berlin, Mahler 2 with the Horsham Symphony Orchestra, a concert celebrating the 250th anniversary of Beethoven’s birth with the Orchestra of Welsh National Opera and BBC National Orchestra of Wales and BBC NOW’s St David’s Day concert.
Angharad represented Wales in the 2019 BBC Cardiff Singer of the World Competition and was a Finalist in the Song Prize competition.
Other awards include Semi Finalist at the Wigmore Hall International Song Competition, 2nd prize at the International Voice of the Future, Llangollen International Eisteddfod, 3rd prize at Das Lied International Song Competition 2015 and Finalist and Maureen Leharne Competition, Wigmore Hall.
Recent engagements include Hippolyta in A Midsummer Night’s Dream and Musico in Manon Lescaut for The Grange Festival and Olga in West Green House Opera’s Eugene Onegin.
Stuart is a Samling Artist from Bewdley in Worcestershire. His studies took place in Manchester at the Royal Northern College of Music where he obtained in Bachelor of Music and Master of Music degrees. He now lives London after living in Manchester for eight years.
Roles on stage include Leone Tamerlano (The Grange Festival), Sharpless Madama Butterfly (Opera Loki), Gregorio Romeo et Juliette (Grange Park Opera), Sicario Macbeth (Buxton Festival), Eldest Son Judith Weir’s The Vanishing Bridegroom (British Youth Opera), Barrister Stephen Crowe’s Lady Chatterley’s Trial, Luther and Crespel Tales of Hoffmann (Opera Mio), Guglielmo Cosi Fan Tutte (RNCM), Papageno Die Zauberflote (RNCM), Harry Easter Street Scene (RNCM), Barabashkin Paradise Moscow (RNCM), Figaro The Marriage of Figaro (Heritage Opera), Schaunard La Boheme (Heritage Opera), Sciarrone Tosca (Mananan Opera Festival), and Aeneas Dido and Aeneas (Eboracum Baroque). Chorus commitments and covers roles have included I Capuletti e I Montecchi (Buxton Festival inc Lorenzo cover), Leonore (Buxton Festival) and Aida (Opera Holland Park). Stuart also recently took part in a research and development project for a new opera ‘Tan Tan & Dry Bone’ by Hannah Kendall. This project was in partnership between Opera North and the Royal Opera House.
On the concert platform, Stuart has been a soloist for Durufle’s Requiem (Manchester Chamber Choir) at the Bridgewater Hall, Macmillan’s Seven Last Words on the Cross (BBC Philharmonic Orchestra), and Walton’s Belshazzar’s Feast with the Huddersfield Choral Society and BBC Phil. Other Oratorio solo performances include include Orff’s Carmina Burana, Mozart’s Requiem, Handel’s Messiah, Faure’s Requiem, Bach’s Christmas Oratorio, Bach’s Mass in B Minor, Bach’s Magnificat, Rossini’s Petite Messe Solennelle, Haydn’s Mass in time of war, Haydn’s Nelson Mass, Mozart’s Missa Brevis in C, Goodall’s Eternal Light, Schubert’s Mass in G, Bach’s Herz und Mund und Tat und Leben, Handel’s Utrecht Jubilate, Laurence Sherr’s Fugitive Footsteps, Purcell’s Te Deum & Jubilate and Stainer’s Crucifixion. He’s covered the baritone soloist in Richard Blackford’s Pieta with the Bournemouth Symphony Orchestra and Chorus.
Stuart is the regular Bass singer at the Liberal Jewish Synagogue where he sings as a soloist and choir member for regular Shabbat and special services. He was a Lay Clerk at Manchester Cathedral for three years and was a BBC Radio 4 Daily Service singer. He is currently a part time singer at many of central London’s churches, including St Paul's Cathedral, Temple Church, St Brides Fleet Street, St. James's Palace Chapel Royal, and All Saints Margaret Street. He is also a member of the Philharmonia Chorus professional scheme, directed by Gavin Carr.
Stuart is a 2016 graduate of the Samling Artist Programme, where he received coaching’s and masterclasses from Particia Macmahon, Angelika Kirchschlager, Simon Lepper, and Shakespearean Actor Jimmy Garnon. He also took part in the 2016 Leeds Lieder Festival masterclasses, led by Roderick Williams.
For the one-hundred-year anniversary of the Battle of Passchendaele in Ypres Belgium, Stuart stood in at the dress rehearsal of the BBC one concert that took place in the city centre in place of Roderick Williams. He performed Ivor Gurney’s ‘In flanders’ accompanied by Iain Burnside.
During the 2013 Rugby League World Cup opening ceremony at the Millennium Stadium in Cardiff, Stuart hijacked a staged interview with Gethin Jones to perform the song “Delilah” by Tom Jones as part of a flash mob in front of fifty thousand people.